Saturday, August 31, 2019
Maybe a little hard to tell what's going on there...
So I woke up after a crap night of half-sleep, and wanted to try something crazy - especially if it didn't look like work! So I decided this would be a perfect time to pull the Behringer Model D out of its rack-mount and install it as a Eurorack Uber-module!
As an aside, I really like the Model D - even though it's hip to not admit that it is cool. It fits the center section of my Output Platform desk quite nicely (with the rack ears I imported from England), has some nice additions to the typical Minimoog canon, and really sounds great. Why put it in the Eurorack? I wanted to see if I'd play with it differently, and I also just wanted to see how good of a job Behringer did with their Euro implementation.
It actually took longer to get the old modules out of the way than it did to install the Model D. Once I pulled the eight screws off (easily jeweler's screwdriver-able), it slid out of its case. I put on a 10-to-16 power cable, plugged it in and was flying high in a few minutes. This gave me a chance to see how it integrated with the rest of my studio system.
It was actually quite nice. While the Model D's MIDI implementation has some quirks (who designed that multi-trigger?), having both DIN and USB MIDI input was awesome. I could use the USB for MIDI from the computer, then take the DIN MIDI Thru to route data to the Mutable Yarns. I also quickly learned something fun: having the Model D set to MIDI Channel 1, then having the Yarns listen to channels 1 and 2, I could have channel 1 drive both the Model D and external modules (like one of my Braids).
And it was piping those digital oscillators into the warm-and-bouncy filter of the Model D that was a real payoff. Sounded so cool, I immediately burned off a nice hyper-sequenced track into Ableton Live, and set the stage for a nice releasable track. I also was using those cute Model D envelopes to do some parallel processing, which really drove the Mutable Veils in a nice way.
After all of that, is it going to stay in the rack? Hell no - it's already out of there! It was a fun experiment, but it also suffers from too few patch points and to much HP-hogging to be a long term solution for a small (7u) studio system. But it sure sounded cool, and it helped my get through a whole Saturday without working!
Thursday, August 15, 2019
Well, here we go. Looks like it's time for a gold rush in podcasting. I've received an astounding number of "we'll help you monetize your podcast - no matter how small the listenership!!!" emails, and new audio-related podcasts are popping up on an almost-daily basis. For example, in the above image, we have Insights From The World of Pro Audio, brought to you by Focusrite (via Tape Op - hey, don't those guys hate digital?).
I doubt that the CEO of Focusrite is going to hang out with dudes from the local Guitar Center, and I'll bet that Jack White will somehow be involved. That's about all I can come up with.
I'm also sure that I'll listen to the first one, scratch my head, and move along. I don't think stuff like this has the 'Long Run' in mind at all: podcasting is the groove of the day, so AdMen say "Let's do it!" Something else tomorrow? "Let's pivot." It's simply not the kind of thing that sustains itself on a purely-commercial basis.
Wanna make a million dollars on a podcast? I don't know if that's even possible, but if it is, it probably involves getting the exclusive story of someone's murder, serializing it in a lurid way, then dripping it out as part of a major publicity campaign, probably somehow including a Kardashian in some way. It's not going to come about by talking about frequency response curves.
Maybe I just love the dusty corners of the internet - and I'm waiting for podcasting to become a dusty corner again. I still read several email newsletters, blogs, online magazine and other No Longer Sexy media. Soon podcasts will become No Longer Sexy as well. Then we will be back to dedicated (maybe obsessed???) people talking about the stuff they love to the small audience that really, really cares.
And the Make-A-Million folks will go back into real estate and cosmetics where they belong.
Sunday, August 11, 2019
I'm in the middle of a re-up of all my systems, and I decided to give something a try. See, I've been a monome-fan for a long time, and particularly in love with the Earthsea module, since it performed a sequencing function unlike anything else in my arsenal. I also played with the White Whale module a bit, but would always gravitate back to the Earthsea - until I needed the White Whale again.
In my new updated studio system, I decided to try the Ansible; I thought it was cool that it would allow me to switch between an Earthsea variant and a White Whale variant (the Kria app), and it would also host a MIDI keyboard when I needed it. And it was only 6HP, which was about what I had to offer.
Hooked it up on Friday, and spent some time yesterday getting into it. I started with the Kria/White Whale app, and ran into a lot of problems; it is different enough from the White Whale module that I couldn't transfer much of my previous knowledge, and some of the documentation was a little jibberish-ish, so I was having trouble following. Eventually, I figured out the loop function, the context switching, and yesterday (Saturday) I was doing some fun banjo-like breakdowns with the Mangrove. Fun!
Today (Sunday) I switched over to the Earthsea app and fell in love. First, the implementation is somewhat simplified, but it all feels completely like the Earthsea module. Secondly, they created a "Runes" key that changes the weird fingershapes into button presses, which immediately made me want to use 'em. Finally, the use of the front-panel buttons to move sequence-to-sequence is just plain fun to work, and hit me with the joy stick.
I'm going to keep playing around with this (next up - how does it work with a MIDI keyboard?), but it looks like it has earned its place in the studio system. Whee!